Primary Sources

 

Cheever, “Country Husband”

 

Fleming, Casino Royale

 

Wilson, The Man in the Gray Flannel Suit

 

Greene, Our Man in Havana

 

Himes, If He Hollers Let Him Go

 

Baldwin, Giovanni’s Room

 

Kerouac, On the Road

 

Secondary Sources

 

Farrell, “Post-Traumatic Culture” pdf

 

Cuordileone , “Cold War Politics” JSTOR

 

Scholes and Wolfman, “How to Read a Modernist Magazine.” pdf

 

Gelber,  “Do-It-Yourself: Constructing, Repairing, and Maintaining Masculinity” American Quarterly, 49.1 (project muse)

 

Recommended

 

Earle, All Man!: Hemingway, 1950s Men’s Magazines, and the Masculine Persona (available used — and cheap — via Amazon)

 

 

Films

 

Best Years of Our Lives

 

Panic in the Streets

 

Rebel Without a Cause

 

Dr. Strangelove

 

 

Text Box:

LIT4013: MID-CENTURY MASCULINITY.

AGGRESSION, TRANSGRESSION,

  AND THE AMERICAN MALE

In America’s collective memory the 1950s is a  time of prosperity, of innocence, of family values, and the suburban American dream. It was the image put forward in Norman Rockwell’s covers for The Saturday Evening Post, in Coca Cola ads, in T.V. shows such as “Leave it to Beaver.” But underneath this idealistic representation America was a country torn by racism, by the traumas of  World War Two, by Cold War paranoia. It was also a time when gender roles were reinforced in popular culture.

           This class will examine the construction and socialization of masculinity and, by proxy, femininity in a diverse texts, ranging from popular hypermasculine thrillers to best sellers to classics of the beat movement. We will also watch a variety of films. All of these texts explore different pressures of gender, aspects of culture, and functions of media. Underneath it all will be the disparity between reality and the fiction of history.

 

1/6: Introductions, reading culture.

1/8: John Cheever, “The Country Husband”; Essay, Kirby Farrell, “Post-Traumatic Culture

 

1/13: Film: “Best Years of Our Lives,” (to be watched online), or, rt click here and “save as.” avi format.

1/15: Cuordileone article, “Cold War Politics”; Discussion, also group organization

 

1/20: Ian Fleming, Casino Royale: 1-110

1/22: Fleming, finish; Context: bachelor magazines; essay, Scholes and Wolfman, “How to Read a Modernist Magazine.”

 

1/27: Film, “Panic in the Streets”; Essay: Gelber,  “Do-It-Yourself: Constructing, Repairing, and Maintaining Masculinity” American Quarterly, 49.1 (project muse)

1/29: Discussion

 

2/3: Reading: Wilson, The Man in the Gray Flannel Suit; Context, magazine advertisements

2/5: Wilson, finish; Discussion, Context: Argosy and True

 

2/10: Film, Dr. Strangelove

2/12: cont.; Paper one Due

 

2/17: Graham Greene, Our Man in Havana, 1—120 (up to part four)

2/19: Greene, Finish

Context: Cold War Propaganda Films

 

2/24: Film, “Rebel without a Cause”

2/26: Discussion

 

3/3: Himes, If He Hollers Let Him Go

3/5: Himes, Discussion cont.

 

3/10: spring break

3/12: spring break

 

3/17: Baldwin, Giovanni’s Room, -- 102 (part two, chapter three)

3/19: Baldwin, finish.

 

3/24: Group Work Workshop / Safety Day

3/26: Thesis Conferences

 

3/31: Intro to Beat Culture

4/2: Jack Kerouac: On the Road, Part 1

 

4/7: Kerouac, read to 178 (part three)

4/9: Kerouac, Finish

 

4/14: Presentations and Web Pages due: [web page template] rt click, save as

4/16: Presentations and Web Pages due

 

4/21: Film tba

4/23: Paper Two Due